There . What is being heard and said at the un is being there . What is being heard and said at the un is being very said at the un is being very different to what is being heard and seen in the Middle East right now. When we woke up this morning, there was talk of the Ceasefire Proposal that was being put forward yesterday, but as the day has gone on, we have heard that a strong response from Benjamin Netanyahu who said he hadnt even responded to the proposal yet but they would continue to fight full force. We have seen that on the ground here. We have seen more continuing israeli Air Strikes and in the south of lebanon. Also here in beirut. Another one of these pleasant strikes here in the Southern Suburbs of beirut, only a couple of kilometres away from where i am talking to you right now. I went down there in the aftermath of that to see what was happening. Its less than an hour since this Air Strike was reported in the Southern Suburbs of beirut. I want to show you, you can see th
anders thomasjensen, whose extensive credits include scripting susanne bier s oscar winner in a better world. mikkelsen plays markus, a gruff soldier with a crew cut and an unruly beard whose wife, emma, is killed in a train wreck after a fellow passenger gives up his seat. it looks like the set up for a grief stricken drama about morning and loss, with markus s teenage daughter, mathilde, who was on the train with her mum, struggling to find comfort or common ground with her dad. but instead, the film turns into something completely different first, a paranoid conspiracy thriller as the disconsolate algorithm expert who fatally gave emma his seat convinces markus that his wife s death on the same train as a biker gang trial witness could not have been a coincidence and then, as an increasingly crazed black comedy. as markus and three misfit geeks wreak murderous vengeance on the supposed of killers while pretending, for
now, mikkelsen further demonstrates his range in riders ofjustice a totally unhinged offering from writer director anders thomasjensen, whose extensive credits include scripting susanne bier s oscar winner in a better world. mikkelsen plays markus, a gruff soldier with a crew cut and an unruly beard whose wife, emma, is killed in a train wreck after a fellow passenger gives up his seat. it looks like the set up for a grief stricken drama about morning and loss, with markus s teenage daughter, mathilde, who was on the train with her mum, struggling to find comfort or common ground with her dad. but instead, the film turns into something completely different first, a paranoid conspiracy thriller as the disconsolate algorithm expert who fatally gave emma his seat convinces markus that his wife s death on the same train as a biker gang trial witness could not have been a coincidence and then, as an increasingly crazed black comedy.
with markus s teenage daughter, mathilde, who was on the train with her mum, struggling to find comfort or common ground with her dad. but instead, the film turns into something completely different first, a paranoid conspiracy thriller as the disconsolate algorithm expert who fatally gave emma his seat convinces markus that his wife s death on the same train as a biker gang trial witness could not have been a coincidence and then, as an increasingly crazed black comedy. as markus and three misfit geeks wreak murderous vengeance on the supposed of killers while pretending, for the sake of mathilde, to be experimental grief therapists. if that sounds completely nuts, it s because, well, it s completely nuts, veering between action, drama, socio political satire, and three stooges slapstick comedy not only between scenes, but sometimes right in the middle of a sentence.
thriller as the disconsolate algorithm expert who fatally gave emma his seat convinces markus that his wife s death on the same train as a biker gang trial witness could not have been a coincidence and then, as an increasingly crazed black comedy. as markus and three misfit geeks wreak murderous vengeance on the supposed of killers while pretending, for the sake of mathilde, to be experimental grief therapists. if that sounds completely nuts, it s because, well, it s completely nuts, veering between action, drama, socio political satire, and three stooges slapstick comedy not only between scenes, but sometimes right in the middle of a sentence. mikkelsen somehow manages to keep a straight face, which perversely only makes the sense of disorientation worse or better, depending on your perspective. none of which is to suggest