Family Secrets Comes To Light In The Trailer For The Persian Version
Maryam Keshavarz's has a trailer online. See it at Empire.
Source: empireonline.com
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REVIEW: "The Persian Version" flips the script | Arts & Culture
Jason Yearout gives thoughts on "The Persian Verison" which is available in theaters now.
Source: kansan.com
Persian Version: She's So Unusual - Fort Worth Weekly
A few years ago, I reviewed The Big Sick and pondered the possibility of Muslim filmmakers gaining an identity in Western cinema like other ethnic and religious minorities have before them. It seems to be happening now — Desirée Akhavan’s bisexual romance Appropriate Behavior, Ana Lily Amirpour’s vampire movie A Girl
Source: fwweekly.com
'Persian Version' Director on Filming Iranian Women and Culture – The Hollywood Reporter
'The Persian Version' director Maryam Keshavarz captured the history and culture of Iran despite being banned from filming in the country.
Source: hollywoodreporter.com
'The Persian Version' a multi-layered cinematic feast
“The Persian Version” combines semi-autobiography, soap opera, music, dance and the kind of enthusiasm that cannot be faked.
Source: bostonherald.com
'The Persian Version' Is Doing Too Much
Maryam Keshavarz’s musical-rom-com-dramedy tells an affecting story about what womanhood demands and imagines — at least, it does whenever it settles down.
Source: vulture.com
The Persian Version Is a Messy Immigrant Mother-Daughter Story With a Lot of Heart
Maryam Keshavarz’s The Persian Version paints a colorful portrait of an Iranian American family that crosses borders and timelines.
Source: washingtoncitypaper.com
Indie Films Opening Oct. 20: 'The Persian Version', 'The Delinquents'   – Deadline
It's opening weekend for indie films The Persian Versian from Sundance, The Deliquents from Cannes and animated The Canterville Ghost
Source: deadline.com
'The Persian Version' review: A bustling, busy Iranian family
A sensation at the Sundance Film Festival, director Maryam Keshavarz's family comedy finds a wavelength of its own, even if she has a hard time cutting subplots.
Source: latimes.com