The talents of Creative Cauldron’s founder Laura Connors Hull and legendary crew members Matt Conner and Stephen Gregory Smith present bold showmanship and .
The number of artistic projects which engage with simulated realities, immersive story-telling, and virtual world-building has surged over the past few years.1 With this growth has come an increase in the types of legal complexities of artist-led world-building projects. One complexity that hasn’t received much airtime to date is how Indigenous Cultural and Intellectual Property (ICIP) and cultural lore can be celebrated in, or conflict with, such projects.
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At first, the connection seems tenuous: An ancient traditional culture deeply connected to the natural world and to the land and dreaming connected with a new virtual world built on computers with pixelated imagery.