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February 22, 2024
Last month, Cinema Scope published its 97th and final print edition, ending an era in film culture
December 5, 2023
Smile through it: Nathan Fielder and Benny Safdie’s new series, The Curse, is a black-comedic minefield of mirrors, especially the metaphorical kind
October 18, 2023
Future days: two of the most anticipated films from this year's edition, Bertrand Bonello’s The Beast and Harmony Korine’s AGGRO DR1FT, share a desire to provoke
September 18, 2023
Another green world: this year’s edition was refocused on ambitious, idiosyncratic, and auteur-driven films like Yorgos Lanthimos’s Poor Things, Harmony Korine’s AGGRO DR1FT, and Bertand Bonello’s The Beast
September 18, 2023
In-between times: a new series at MoMA sheds light on rarely screened, boundary-pushing films made in the shadow of an oppressive dictatorship
September 11, 2023
Face to face: critics Chloe Lizotte and Adam Nayman join to discuss Do Not Expect Too Much from the End of the World, Dumb Money, The Boy and the Heron, and more
June 12, 2023
Reaching out: the trio of filmmakers on their new collaboration, a hybrid film that turns a series of video letters into a meditation on loss, isolation, and connection
June 9, 2023
Inflation Alert: Here's a video essay that digs into why James Cameron's filmography keeps increasing in expense and scale.
June 7, 2023
Here's a video essay on Mary Harron's 1996 film 'I Shot Andy Warhol' and how it humanizes such controversial subject matter.
June 5, 2023
Here's a video essay that takes a look at the thematic and character insights gleaned from the role of food in 'Taxi Driver.'