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hi! hi. im katty. thank you so... its so...! oh, my god. im so happy. so lovely to meet you. does everybody who meets you who used to do ballet stand automatically in first position? 0h! is that like a giveaway? and so you have. so i have. and ive been doing it... you know whats weird, preparing for... i find myself all day standing in first position again. its been so many years. makes you stand up straight. its so good for you. no, i... thank you for doing this. im so thrilled. im ha...

misty copeland made history as the first black woman to become a principal dancer at the prestigious american ballet theatre. we had the absolute thrill of meeting her onstage at lincoln center in new york. hi! hi. im katty. thank you so... its so...! oh, my god. im so happy. so lovely to meet you. does everybody who meets you who used to do ballet stand automatically in first position? 0h! is that like a giveaway? and so you have. so i have. and ive been doing it... you know whats wei...

hi! hi. im katty. thank you so... its so...! oh, my god. im so happy. so lovely to meet you. does everybody who meets you who used to do ballet stand automatically in first position? 0h! is that like a giveaway? and so you have. so i have. and ive been doing it... you know whats weird, preparing for... i find myself all day standing in first position again. its been so many years. makes you stand up straight. its so good for you. no, i... thank you for doing this. im so thrilled. im ha...

school in london and i didnt get in, which was just as well, because id have been way in the back stage of the corps de ballet, kind of ideally out of the set. but ive wanted to meet you for so long... oh, wow. ..so thats great. so, when you come onto a stage, misty... ..having not danced since 2019... mm—hm. ..how are we feeling? hows your body doing? erm... ..i mean, its like different air up here. yeah. you know, like i say... rarified. yeah, its... ..like this very sacred space t...

Things are being said to me, or even look at the bodies next to me of the dancers who are not black and say, do we look that different? i mean, i was told i was too muscular, i was too short, my breasts are too big. and to me, thats all code for your skin is too dark. your skin is too brown. but it is possible. this is an art form and its subjective. and were bec. .. you know, its a creative environment where, you know, its not about... to me, its not about what the package is, its how you make ...

Or even look at the bodies next to me of the dancers who are not black and say, do we look that different? i mean, i was told i was too muscular, i was too short, my breasts are too big. and to me, thats all code for your skin is too dark. your skin is too brown. but it is possible. this is an art form and its subjective. and were bec. .. you know, its a creative environment where, you know, its not about... to me, its not about what the package is, its how you make people feel. its the interpre...

For your skin is too dark. your skin is too brown. but it is possible. this is an art form and its subjective. and were bec. .. you know, its a creative environment where, you know, its not about... to me, its not about what the package is, its how you make people feel. its the interpretation. its how you deliver the performance, the character. and that can be done in a variety of bodies, people, wherever they come from. i mean, the characters themselves arent real. you know, thats a big part of...

And were bec. .. you know, its a creative environment where, you know, its not about... to me, its not about what the package is, its how you make people feel. its the interpretation. its how you deliver the performance, the character. and that can be done in a variety of bodies, people, wherever they come from. i mean, the characters themselves arent real. you know, thats a big part of it, too. i mean, of course, there needs to be an evolution i think of a lot of the stories that were telling i...