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so, i'm currently sitting on flight 317, london to zurich, to go and look at the paintings which were willed to beatrice by her parents. and my role really is to just see if the doubts that beatrice had are in any wayjustified. i think the most important thing is that, during my. grandfather's life, - he believed it was a real — an original that he'd bought. and that's the most important thing — at the end of the day, i everybody would love it to be authentic, but it doesn't takei away from the style, which does replicate | lissitsky's.
get misattributed. so what we're going to do is use a high resolution image of the subject's painting, run it through the machine, through the various algorithms that we have that allow it to be compared to a body of 20 original, bona fide lissitskys that we know are real. if that painting fits inside that cloud, inside that contour, we can say with 99% confidence that the painting is authentic. if it's outside of that cloud, we can be fairly confident that the painting is a forgery. so, when looking at this painting, one thing we're going to want to look at is the signature because signatures are always important in both real and inauthentic works. so, here, it looks very much like the signature was put on at the same time
when you're working with material, there's always environmental things that interact with the paint. it's, you know, people... people clean their brushes or people's jumpers have fuzzy fibres. yeah. if it's just on the surface, fine. but it actually... where you don't see it here, it's going under the paint. so these particular fibres that we found in the painting were treated with substances that were developed in the early part of the 20th century but were really first commercialised and brought onto the market only after the world wars. being able to identify them was, right there, a very hard indicator that would even stand up were we needed to take this to court. it's like looking at something that should have been 18th—century and there's a flatscreen tv in the background. it's not possible. you can't have it. it doesn't work.
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