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April 21, 2024
The new short film Sauna Day, directed by Anna Hints and Tushar Prakash, was selected to premiere as the first Estonian film in the special programme...
February 15, 2024
The film and TV industries in Estonia, Lithuania and Latvia have showed surprising resilience despite the war in Ukraine and economic uncertainty.
February 16, 2023
Estonian Film Institute at European Film Market - Kick off this year's EFM the Baltic way! Estonia, Latvia and Lithuania are the countries in Focu...
October 20, 2022
The board of the Estonian Film Institute (EFI) has announced, that Edith Sepp will continue as institute head for a third term. Sepp was re-elected with a majority vote from the board, which considered her vision and proposals for the development of the Estonian film industry the most complete and compelling of all the candidates.
September 27, 2022
A jury convened by the Estonian Film Institute (EFI) has selected Ove Musting's film "Kalev" for the Academy Award for Best International Feature. In addition, "Sierra", written and directed by Sander Joone, competes in the short animation category.
July 2, 2022
30/06/2022 - The panellists discussed the challenges of getting fair remuneration for their work and how their respective markets deal with the growing influence of streaming platforms
June 30, 2022
30/06/2022 - The panellists discussed the challenges of getting fair remuneration for their work and how their respective markets deal with the growing influence of streaming platforms
June 30, 2022
The panellists discussed the challenges of getting fair remuneration for their work and how their respective markets deal with the growing influence of streaming platforms
May 31, 2022
31/05/2022 - CANNES 2022: The two-hour conference, organised by the European Audiovisual Observatory, explored in depth the figures, the challenges and the best practices behind the circulation of European films
May 31, 2022
CANNES 2022: The two-hour conference, organised by the European Audiovisual Observatory, explored in depth the figures, the challenges and the best practices behind the circulation of European films