with the idea that i would have six samples and i want to have two hard strikes two medium strikes and two soft strikes every surface hit with a wooden mallet six hit with a latex mallet twelve hit with a plastic ball and it just kept going when i came back i had ten thousand samples to go through this shows and on may thirtieth at eleven twelve am the first scene is us playing at the east corner the black stair railing the bottom square he said you suffer for your art and that was it i found that this handrail plays a soprano a and a middle c. this top round plays an alto genie or an f. sharp you know the i phone tower was uncalibrated as an instrument so it s not going to give you pure tone and many composers would take that sound and then we
a soprano a and a middle c. this top round plays an alto g. or an f. sharp you know the i phone tower was in calibrated as an instrument so it s not going to give you pure tone and many composers would take that sound and then we could make a whole scale out of it. but if i m going to play this live this sound is only available in one location on the tower now if you look at the screen here you see that it s missing notes if i wanted to write a melody with these notes. i m good but if i wanted to write it with these two notes but no good. writing the music this is why i wanted to do it so this part is so. so enriching. manner.