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cheering and applause. her stories often centre on oppression and brutality. most famously, her 1985 novel, the handmaids tale, a dystopian vision of america, in which women are enslaved, now an emmy award—winning television series. theres an eye in your house. in this episode of this cultural life, the radio a programme, she reveals her formative influences and experiences, and how, even in high school, her creativity was clear. i put on a home economics opera. it was about fabrics....

cultural life, the radio 4 programme, she reveals her formative influences and experiences, and how, even in high school, her creativity was clear. i put on a home economics opera. it was about fabrics. can you remember how it goes? # fabrics need a swim in the suds. # it makes them feel just like new. # plink—plink, plink—plink. laughter. i want to make sure the mics are recording us. margaret atwood, welcome to this cultural life. thank you very much. happy to be here. on this pr...

happy to be here. on this programme, i ask my guests to choose the most significant influences and experiences that have shaped their own creativity, and your first choice is your parents. yes. tell me about your parents. well, first of all, they, um, were very innovative and able to improvise, because, of course, if you live in the woods and there arent any shops, you have to be, and they were both very outdoorsy. but they also allowed us to make messes in our rooms and didnt make us ...

Influences and experiences, and how even in high school, her creativity was clear. Creativity was clear. Home economics creativity was clear. Home economics opera, creativity was clear. Home economics opera, It Creativity was clear. Home economics opera, it was i creativity was clear. Home economics opera, it was about fabrics. ,. , economics opera, it was about fabrics. ,. ,. , fabrics. Can you remember how it noes . Fabrics. Can you remember how it goes . It fabrics. Can you remember how it go...

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Is quite messy. so, craft work, then? oh, we didnt call it that, dear. thats a new—fangled term. did you call it anything, or was itjust the stuff...? making stuff. and we had the full...the full run of the tool set, you know. that was very handy. a few years later, when you self—published your first book... yes. a book of poetry, double persephone, um... a very limited run, and i think you made... you hand—printed and set... typeset... yeah. it was a flatbed press, so you had to set each ...

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