'Bluets' Review: This Maggie Nelson adaptation is all about the vibes
When the Royal Court Theater in London announced it was staging an adaptation of Maggie Nelson’s prose poem memoir “Bluets,” my first r
Source: artdaily.com
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Liverpudlian indie hero Paul Simpson: 'I could have made a masterpiece but I was too damaged' | Indie
The Wild Swans frontman also formed bands with Ian McCulloch, Ian Broudie and Julian Cope – and was Courtney Love’s flatmate – but admits to being a peripheral voice in Liverpool’s music scene. A new memoir could change that
Head On United Kingdom United Kingdom General Julian Maclaren Ross Gemma Bodinetz Tom Stoppard Rosencrantz
Source: theguardian.com
The Cherry Orchard review – Katie Mitchell presents the view from the trees
The director’s latest eco-theatre production gives us fragments of Chekhov’s dialogue and a searing reading of our relationship with nature
Source: theguardian.com
BeyondTNC to put music docs on the map
Specialist music factual production company BeyondTNC is marking its first official MIPCOM with the launch of a new feature doc and a select slate of titles as ...
Source: rapidtvnews.com
The Gold Machine review: a reckoning with ghosts
This reflexive blend of fiction and non-fiction, part of a multimedia release, thoughtfully explores the legacy of British colonialism in Peru.
Source: bfi.org.uk
5 things to watch this weekend – 2 to 4 September
Go west. Reconnect with your roots. Phone home. What are you watching this weekend?
Source: bfi.org.uk
East Sussex screenings for film charting lost piece of colonial history
The film actually begins and ends in the Electric Palace in Hastings, one of the locations in which it will be shown on its Sussex tour. In between times, The Gold Machine recounts a fascinating piece of lost colonial history.
Source: sussexexpress.co.uk
The week in classical: Alcina; The Blue Woman
Handel’s sorceress goes to the cabaret in Francesco Micheli’s fabulously glitzy production, while Katie Mitchell directs a powerful exploration of violence against women
Source: theguardian.com
The Blue Woman review – tensely atmospheric opera of violence on women
Four singers, four cellists and an actor walking Sarah Everard’s final route combine in Katie Mitchell’s not-quite-hopeful production<strong><br></strong>
Source: theguardian.com