Gregory Markopoulos News Today

E-flux Film is thrilled to present the December 2023 edition of our monthly series Staff Picks, featuring Jonas Mekas film Award Presentation to Andy Warhol (1964).

MMoCA Cinema: 1960s experimental shorts. $7.

KENNETH ANGER was an audacious filmmaker, a self-proclaimed magus, a never-closeted queer, a shameless scandalmonger, a sometime Satanist, a difficult person, and, as P. Adams Sitney put it, the “conscious artificer of his own myth.” He was also the King of Pop—at least that’s what I thought on first seeing Scorpio Rising (1963) in the mid-1960s, age sixteen, at New York’s Museum of Modern Art.There were other movies on that program; I remember being impressed by Gregory Markopoulos�...

Lukas Brasiskis pens an obituary for Kenneth Anger and his work.

As David Lynch’s Inland Empire returns to cinemas this week with a 4K remastered picture and soundtrack, we look back at our original rave review of the film from our April 2007 issue.

Thematically and stylistically, Storm de Hirschs Goodbye in the Mirror is a bizarre amalgam of films by Varda, Cassavetes, Akerman, Wishman, and a dozen other directors working across mainstream, independent, and avant-garde contexts.

Home life: a revelatory program of evocative films by Robert Beavers daisy-chains memories, dreams, and desires across continents and decades

At their Wilmersdorf studio, experimental film veterans Robert Beavers and Ute Aurand painstakingly restore the old negatives of Gregory Markopoulos' epic film.

Following Main Slate, Spotlight, and Currents, the 60th New York Film Festival have now unveiled its final film-focused section with Revivals. Featuring brand

Aesthetics and politics: a new reader from The Visible Press offers a bracing introduction to Afterimage's ever-curious, ever-relevant quest for the contours of a radical cinema