to show me something she'sjust finished. 0k! it's beautiful! i'm really intrigued by how this is created. are these post—it notes that you've, almost like a mosaic, you sort of tessellated them together to create the image? exactly, yes. and you can see the whole image also fragmented as well. as we talked in the museum, i can imagine the whole from one. it's very tactile, partly because you've folded some of them over. yeah. each one is what, individually printed? i use them as a canvas, you know. yes. and then, i print one time on the top of it. for each colour. yes. clearly, it has a really pop sensibility, responding to historical art. who is this woman? let me show you the original. it is known that the woman is the wife of osman hamdi. 0k! yes!
to show me something she'sjust finished. 0k! it's beautiful! i'm really intrigued by how this is created. are these post—it notes that you've, almost like a mosaic, you sort of tessellated them together to create the image? exactly, yes. and you can see the whole image also fragmented as well. as we talked in the museum, i can imagine the whole from one. it's very tactile, partly because you've folded some of them over. yeah. each one is what, individually printed? i use them as a canvas, you know. yes. and then, i print one time on the top of it. for each colour. yes. clearly, it has a really pop sensibility, responding to historical art. who is this woman? let me show you the original. it is known that the woman is the wife of osman hamdi.
for each colour. yes. clearly, it has a really pop sensibility, responding to historical art. who is this woman? let me show you the original. it is known that the woman is the wife of osman hamdi. 0k! yes! we were looking at the two musician girls and it's very respectful of those two women. this is a really powerful image of a powerful woman, right? he always draws women strong, powerfuland, of course, romantic, too. it's interesting because that's your interpretation of the painting. and this is also an interpretation of that painting, to make it live and breathe in a contemporary idiom. i haven't really come across many images which are made out of composite post—it notes. it's a great idea. it's very ephemeral. post—it notes are things that we just make jottings on and then perhaps discard,
traditional islamic art, as well as that orientalist world view we encountered earlier. luckily, she's invited me to her istanbul studio to show me something she'sjust finished. 0k! it's beautiful! i'm really intrigued by how this is created. are these post—it notes that you've, almost like a mosaic, you sort of tessellated them together to create the image? exactly, yes. and you can see the whole image also fragmented as well. as we talked in the museum, i can imagine the whole from one. it's very tactile, partly because you've folded some of them over. yeah. each one is what, individually printed? i use them as a canvas, you know. yes. and then, i print one time on the top of it. for each colour. yes. clearly, it has a really pop sensibility, responding to historical art. who is this woman?
The Lyman Allyn Art Museum’s “American Perspectives” gallery has a new — and significant — painting.
It’s a portrait is of a mixed-race youth, circa the 1830s or 1840s. According to the Lyman Allyn in...
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