To show me something she sjust finished. 0k! it s beautiful! i m really intrigued by how this is created. are these post it notes that you ve, almost like a mosaic, you sort of tessellated them together to create the image? exactly, yes. and you can see the whole image also fragmented as well. as we talked in the museum, i can imagine the whole from one. it s very tactile, partly because you ve folded some of them over. yeah. each one is what, individually printed? i use them as a canvas, you know. yes. and then, i print one time on the top of it. for each colour. yes. clearly, it has a really pop sensibility, responding to historical art. who is this woman? let me show you the original. it is known that the woman is the wife of osman hamdi. 0k! yes!
To show me something she sjust finished. 0k! it s beautiful! i m really intrigued by how this is created. are these post it notes that you ve, almost like a mosaic, you sort of tessellated them together to create the image? exactly, yes. and you can see the whole image also fragmented as well. as we talked in the museum, i can imagine the whole from one. it s very tactile, partly because you ve folded some of them over. yeah. each one is what, individually printed? i use them as a canvas, you know. yes. and then, i print one time on the top of it. for each colour. yes. clearly, it has a really pop sensibility, responding to historical art. who is this woman? let me show you the original. it is known that the woman is the wife of osman hamdi.
For each colour. yes. clearly, it has a really pop sensibility, responding to historical art. who is this woman? let me show you the original. it is known that the woman is the wife of osman hamdi. 0k! yes! we were looking at the two musician girls and it s very respectful of those two women. this is a really powerful image of a powerful woman, right? he always draws women strong, powerfuland, of course, romantic, too. it s interesting because that s your interpretation of the painting. and this is also an interpretation of that painting, to make it live and breathe in a contemporary idiom. i haven t really come across many images which are made out of composite post it notes. it s a great idea. it s very ephemeral. post it notes are things that we just make jottings on and then perhaps discard,
Traditional islamic art, as well as that orientalist world view we encountered earlier. luckily, she s invited me to her istanbul studio to show me something she sjust finished. 0k! it s beautiful! i m really intrigued by how this is created. are these post it notes that you ve, almost like a mosaic, you sort of tessellated them together to create the image? exactly, yes. and you can see the whole image also fragmented as well. as we talked in the museum, i can imagine the whole from one. it s very tactile, partly because you ve folded some of them over. yeah. each one is what, individually printed? i use them as a canvas, you know. yes. and then, i print one time on the top of it. for each colour. yes. clearly, it has a really pop sensibility, responding to historical art. who is this woman?
In the interest of full disclosure, I'm predisposed to like films shot in West Germany during the early '70s because that's where I grew up. My father at the ti
When he does fight scenes, they re like musical fight scenes. this have dance scenes and big pop soundtracks but it slips between being this retro thing to and a proper slasher movie. at that was really clever between doing and how it shifted. people may find it s a bit too full of movie references because walking around in soho, like, every single street has a history of its own. he called it peeping tom s midnight garden which i think is a brilliant description of it. i absolutely loved it. i ve seen it twice and i loved it. and the soundtrack is supposed to be great. wall to wall 60s pop hits. used brilliantly to get that slightly off kilter field. used brilliantly to get that slightly off kilter feel. he s got a great pop sensibility anyway. i think you d enjoy it, i think you should see it twice because it s part of the second time. i see every film you recommend. also another horror out is antlers. this is strange. this is a very sombre horror film.
Car chases. when he does fight scenes it s like musicalfight scenes. this have dance scenes and big pop soundtracks but it slips between being between this and a slasher movie. at that was really clever between doing and how it shifted. people may find it s a bit to movie references because walking around in soho, every single street has a history of its own. he called it peeping toms midnight garden which i think is a brilliant description of it. i absolutely loved it. i description of it. i absolutely loved it. , ., description of it. i absolutely loved it. , . . ., loved it. i start twice and absolutely loved it. i start twice and absolutely love loved it. i start twice and absolutely love it. - loved it. i start twice and absolutely love it. and i loved it. i start twice and l absolutely love it. and the soundtrack absolutely love it. and the soundtrack is absolutely love it. and the soundtrack is supposed . absolutely love it. and the soundtrack is supposed to | absolutely
We re looking live in london. joining us kennedy, the host of kennedy on fox business network. thank you for being with us. patti ann, nice to see you. patti ann: george michael started out with andrew wigley with wham. a lot of hits started there. they were such a huge pop sensation. think met in school. andrew s brother and george had a short-lived band together. as a duo they took the world by storm at a time we were obviously coming off of a huge punk rock phase. they were very unapologetically pop. and for george michael to make the 90-degree turn to his more soulful side which he did with his two first solo records, was really stunning. and you know, he had that incredible pop sensibility. i don t think people realized the depth of his talent, not only to perform some of those songs but to write, arrange and produce them as well. there was some natural tension there between him and andrew, because in one rolling stone