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New Left Review | Issue 42 | n+1

The extent to which the iconic movements of the ’60s United States fed on existing liberalism and fed into neoliberalism is, however, all the more reason not to isolate the New Left as a singular cataclysm that destabilized the New Deal order. Far from a gently humming machine that could have kept operating indefinitely were it not for the intervention of a new generation of radicals, the United States’ simulacrum of social democracy was a fragile assemblage of competing intellectual tendenc...
Joseph Schumpeter Karl Mannheim Third Republic France American Politics Money And Power Issue 42

The Two Imams | Issue 42 | n+1

He introduced himself in an English spoken just strangely enough to lend the language the empathy it often lacks. He was striking, his close-cut sideburns giving way to tight curlicues that charmingly splayed over his forehead. It wasn’t until he refused the cot in Imam Salim’s room and slept on the mosque’s floor that we began to double-check our hasty assumption of his imposture. When he showered in the filthy ablution chamber, we figured he was, in all likelihood, a genuine paragon.
New York United States Saudi Arabia Staten Island Sri Lanka Sri Lankan

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Unfree Associations | Issue 42 | n+1

The analyst is enjoined not to hate. Or at least, not in the way the patient is permitted on the couch. Psychoanalysis has historically set neutrality as a goal: to contain the feeling mind and its history, the analyst must bracket the world, their sociality, desires. The only problem is this is impossible, especially if we concede that there is something called an unconscious.
New York United States Spencer Lindquist Donald Moss Journal Of The American Psychoanalytic Association American Psychoanalytic Association

Digital Rocks | Issue 42 | n+1

Eventually DCI scrubbed celluloid film almost entirely from the film industry, ushering in the most significant technological shift since the introduction of sound. The digital revolution transformed nearly every aspect of filmmaking for Hollywood and independent filmmakers. This revolution was invisible, and it was designed to be that way. Its success depended on audiences never noticing at all.
United States Los Angeles Jason Kilar Kara Swisher Warner Bros New Yorktimes

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