Jared Steffensen News Today

Diane Tuft: Entropy panel discussion and book launch, Fem Dance: As within, so without, Come from Away, and more.

On Saturday, October 21, Salt Lake City met its newest gallery space from MICA (Mestizo Institute of Culture and Arts) at The Gateway.

/PRNewswire/ -- The Utah Museum of Contemporary Art announced today that twenty-nine Utah-based artists selected by six Utah-based curators will be featured in...

/PRNewswire/ -- UMOCA and the Jarvis and Constance Doctorow Family Foundation are pleased to announce that the New York-based artist Chie Fueki has been...

  Utah Museum of Contemporary Art has unveiled its newest exhibition, exploring many iterations surrounding the idea of home. A Place Where Many Souls Are Gathered The full exhibition title for UMOCA’s latest show is “Haimaz, Heimr, Hjem, Heem, Hām, Home.”  All of these directly or roughly translate to “home.” Hām, however is a little...

Described as "a nexus between art, politics, commerce and education," "For Freedoms" at UMOCA encourages the community to interact and create.

RadioACTive #artsandculture report, with Art Access and the Utah Musuem of Contempoary Art, both of which are opening significant new exhibits this month: Partners, Our Wake Up Call For Freedoms, Shattering the Pictures in Our Heads, Re-...

South Dakota farmers told not to comment after guilty pleas in H&I grain fraud case Jared Steffensen of the Arlington, S.D., area, pleaded guilty to theft by deception in his H&I Grain Inc. business, at a June 29, 2021, hearing at the Beadle County, S.D., courthouse at Huron. He speculated on grain trades, and then failed to pay millions to farmers. He and his wife, Tami, could face five years in the state penitentiary. His mother, JoAnn also pleaded guilty to a felony of failing to...

Growing Rocks is an art exhibition at the Utah Museum of Contemporary Art that envelops viewers in between time, catching them pondering their initial thoughts about nature and the very concept of time itself. Artist Brad Evan Taylor does not dabble in small, delicate sculptures, but rather ceramic masses that exist on a human scale, displaying the relation of these masses to the artist’s own body. Another interesting detail is that Taylor’s body is listed as one of the prominent tools in ...