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‘The Tragedy of Macbeth’ Review: An Expressionist Twist on a Shakespeare Classic | Arts | The Harvard Crimson

‘Eternals’ Review: Chloé Zhao Injects the MCU with a Refreshing Dose of Humanity | Arts | The Harvard Crimson

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‘Dune’ Review: A Visually Stunning, Emotionally Lacking Sci-Fi Epic | Arts | The Harvard Crimson

I met Timothée Chalamet. The author with Timothée Chalamet. By On the twelfth of July, in the year of our Lord two-thousand-twenty-one, I met Timothée Chalamet. He was on the red carpet for his very first Cannes premiere, the Wes Anderson-directed “The French Dispatch,” the gold of his metallic Tom Ford suit dazzling under the bright Cannes sunlight. I was right behind the barricade, sweaty and tired after waiting in line for five-plus hours in the brutal heat. By all accoun...

‘One Night in Miami…’ Dissects Power in America | Arts | The Harvard Crimson

10. “The Haunting of Bly Manor” Despite featuring much of the same cast as its predecessor and following the same nonlinear model of storytelling, “The Haunting of Bly Manor” tells a completely different story than the first installment in Mike Flanagan’s “The Haunting” anthology. This miniseries tells the story of a young American woman, Dani (Victoria Pedretti), running away from her past as she begins working as an au pair for the two children who live in the eponymous manor in...

10. The Death of Quibi It was supposed to usher in a new era of mobile entertainment; it was going to be bigger than Netflix, than YouTube — indeed, a bit of a combination of the two. Founder Jeffrey Katzenberg (of Disney and Dreamworks fame), along with most of the entertainment world, had high hopes for Quibi. The original $1 billion in funding came from investors like The Walt Disney Company, 21st Century Fox, NBCUniversal, and pretty much every big name in entertainment one can think up �...

Arts Vanity: Quarantine Films About Quarantine | Arts | The Harvard Crimson