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Through a Glass Darkly movie review (1961)

The great subject of the cinema, Ingmar Bergman believed, is the human face. He'd been watching Antonioni on television, he told me during an interview, and realized it wasn't what Antonioni said that absorbed him, but the man's face. Bergman was not thinking about anything as simple as a closeup, I believe. He was thinking about the study of the face, the intense gaze, the face as window to the soul. Faces are central to all of his films, but they are absolutely essential to the pow...
David Gunnar Bjornstrand Lars Passgard Karin Harriet Andersson Glass Darkly Harriet Andersson Gunnar Bjornstrand

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