Le Rodeur News Today

From an escaped slave pointing a gun to a kid in a Birmingham barber shop, this terrific show shuttles back and forth between times, places, sculpture and painting

As you step off the elevator into this much-anticipated solo show by Lubaina Himid, who won the 2017 Turner Prize, a medley of colorful flags wave as if in welcome. Yellow, blue, and oxblood red, they are emblazoned with messages such as there could be an endless ocean and why are you looking. These seven double-sided banners, which comprise the installation How Do You Spell Change, 2018, resemble kanga, a type of cloth worn especially by women in East Africa. Symbolizing fashion and freedom, ka...

The designer and artist come together for a conversation that spans creative living, working collaboratively, and how having an awareness of history might shed light on the present

Retrospective exhibition confirms the Zanzibar-born artist as ‘an irrepressible witness to our times’

If there are looks that could kill – eyes abrim with a lacerating charge – said looks must have an antipode: looks that evoke a sense of chill. Faces at

We spoke with the artist on the occasion of her impressive new exhibition, which weaves through various themes and histories.

Spectacle and passion feel strangely neutralised in this immersive retrospective from the engaging Turner prize-winner

The Turner Prize-winning artist, whose major show opens at Tate Modern today, tells Esquire about the painterly appeal of men at work

The painter's satirical work has always blazed a trail – reclaiming cultural histories and identities. Precious Adesina talks to the artist – and explores an extraordinary career.

Himid’s paintings, soundworks and sculptures are haunted by historical pain, fizzing with colour – and too polite by far<strong><br></strong>