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Transcripts For DW DocFilm - The Cranachs And Medieval Modern Art 20171031

Out for local heroes. D. W. Made for mines. Theyre two of the greatest artists of the sixteenth century look us karna known as the elder and his son also named gus qana. They ran the most prolific workshop of their time painting more and faster than any of their contemporaries. The protestant reformer Martin Luther was a close friend and the qana speak aimed the painters of the reformation. Born at the end of the middle ages the artists lived and made their fortune in a world that was rapidly changing both father and son embody ideas associated with the term a renaissance a time of revival and a people in art. In the. In. The contacts works have been studied by generations of scholars but many questions remain unanswered going to hard you know and in goes on our art historians and restorers here in massive book the drill theyre studying an altar piece that came from the konak workshop in the year fifteen thirty seven. Who painted it is it the work of connacht the elder or the younger o

Transcripts For DW DocFilm - The Cranachs And Medieval Modern Art 20171101

W one up. For in focus Global Insights the news out for local heroes. The w made for mines. Theyre two of the greatest artists of the sixteenth century look us karna known as the elder and his son also named gus qana. They ran the most prolific workshop of their time painting more and faster than any of their contemporaries. The protestant reformer Martin Luther was a close friend and the qana speak aimed the painters of the reformation. Born at the end of the middle ages the artists lived and made their fortune in a world that was rapidly changing both father and son and body ideas associated with the term renaissance a time of revival and a people in art. In the. In. The contacts works have been studied by generations of scholars but many questions remain unanswered going to hard you know and in goes on our art historians and restorers here in massive book the drill theyre studying an altar piece that came from the konak workshop in the year fifteen thirty seven. Who painted it is it

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