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Transcripts For CSPAN2 Book Discussion On Power Wars 20160214

[inaudible conversations] welcome. My name is a gene healy. Im a Vice President here at the Cato Institute and ill be your moderator today. Thank you all for coming out to the first cato event of 2016. Today, we are going to spread the new years cheer and take the chill out of your bones with an in depth look at remotecontrolled executions, the creeping surveillance state, and the seeming permanence of the imperial presidency. So merry new year. Our focus today is the extraordinary new book by Charlie Savage, power wars inside obamas post9 11 presidency. Charlie has been with the New York Times since 2008, and he has been the indispensable reporter on executive power issues since well before that. In 2007 while with the boston globe he won the Pulitzer Prize for his work on the Bush Administrations signing statements. Is 2007 book, takeover, the return of the imperial presidency, was named one of the best books of the year by the washington post, slate and esquire. To describe power wa

Transcripts For CSPAN2 Book Discussion On Power Wars 20160124

If the egos are getting in them way. Juddson and john seem to have dalliances with groupies and theyre married at the time. There are ways in which they mirror our ideal of rock musicians of the 1960s and 1970s and these internal struggles richmond the group apart. By and large, after the civil war, the hutchinson family singers, asa moves out west. The brothers founded hutchinson, minnesota, and then asa moves to colorado and john remains centered in lynn, massachusetts. Abby will remain in new york and in orange, new jersey, and new york city, and travel the world. Shell be in egypt and other places. She has married again ludlow patton, extraordinarily wealthy to whom she wed. And the hutchinsons wont be that social voice they were in the 1840s and 1850s and by and large theyll be what a lot of singer from the 1960s are today. They make money off of what they once were. Theyre hadbusinessessed. Theyre repeating old music. Going on stage as a relic that people want to remember the old

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