Melanie Ruby Jerins News Today

Joachim Trier’s “Louder Than Bombs” is interested in the intersection between grief and memory, and how difficult it is to capture both either through photography or film. It is a movie that comments on its own purpose (as co-writer Eskil Vogt’s “Blind” did as well) by making one of its most essential characters a conflict area photographer, someone who once lamented the difficulty in maintaining focus on the specific people she chronicles and not turning them into universal example...