decorator�*s book, a bit like a pattern book which our decorators would have in the factory over there. each one tells a story of our unique historic patterns, where to cut them and where to place them, and it acts as a bit of a guide for them. we have been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles's great—great—grandfather. the pieces go through to 1937 to the coronation that never was for king edward viii. and then in more contemporary times, under the design stewardship of walter moorcroft, to 1953 with the coronation of queen elizabeth ii. we use a technique called tube lining. i everything's made by hand. each piece takes at least a week to make from start to finish. - it's an honour, every piece of moorcroft that i work i with and the people we work with, i it's an honour, but for the king, i i mean, that is an amazing. achievement and something i will remember for the rest
of a guide for them. we have been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go through to 1937 to the coronation that never was for king edward viii. and then in more contemporary times, under the design stewardship of walter moorcroft, to 1953 with the coronation of queen elizabeth ii. we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make from start to finish. it's an honour, every piece of moorcroft that i work with and the people we work with, it's an honour, but for the king, i mean, that is an amazing achievement and something i will remember for the rest of my life. that was a report by liz cooper. now take a look at this — this is possibly the biggest
designs since 1902, with the very first piece dating back to king edward vii, king charles's great—great—grandfather. the pieces go through to 1937 to the coronation that never was for king edward viii. and then in more contemporary times, under the design stewardship of walter moorcroft, to 1953 with the coronation of queen elizabeth ii. we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make from start to finish. it's an honour, every piece of moorcroft that i work with and the people we work with, it's an honour, but for the king, i mean, that is an amazing achievement and something i will remember for the rest of my life. that was a report by liz cooper. the collapse of a four—storey
to the coronation that never was for king edward viii. and then in more contemporary times, under the design stewardship of walter moorcroft, to 1953 with the coronation of queen elizabeth ii. we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make from start to finish. it's an honour, every piece of moorcroft that i work with and the people we work with, it's an honour, but for the king, i mean, that is an amazing achievement and something i will remember for the rest of my life. the weather stories on the change for our week ahead but for many today we should see some sunshine and warmth. that sounds a little bit odd if you woke up to the skies like this in aberdeenshire, lots of low
we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make from start to finish. it's an honour, every piece of moorcroft that i work with and the people we work with, it's an honour, but for the king, i mean, that is an amazing achievement and something i will remember for the rest of my life. that was a report by liz cooper. now take a look at this. this is possibly the biggest picasso in the world. well kind of. saturday marked 50 years since his death and so to pay tribute an italian fan and fellow artist dario gambarin used a tractor to create what he says is the largest portrait of the spanish artist in the world. etched into wasteland near verona in italy, mr gambarin said he'd been inspired by picasso's 1907 self—portrait.
where to cut them and where to place them, and it acts as a bit of a guide for them. we have been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go through to 1937 to the coronation that never was for king edward viii. and then in more contemporary times, under the design stewardship of walter moorcroft, to 1953 with the coronation of queen elizabeth ii. we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make from start to finish. it's an honour, every piece of moorcroft that i work with and the people we work with, it's an honour, but for the king, i mean, that is an amazing achievement and something i will remember for the rest of my life. that was a report by liz cooper.
of walter moorcroft, to 1953, with the coronation of queen elizabeth ii. we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make, from start to finish. it's an honour, every piece of moorcroft that i work with and the people we work with, it's an honour. but for the king, i mean, that is an amazing achievement and something that i will remember for the rest of my life. that was a report by liz cooper. now, take a look at this, this is possibly the biggest picasso in the world. well, kind of. saturday marked 50 years since his death, and so to pay tribute, an italian fan and fellow artist dario gambarin used a tractor to create what he says is the largest portrait of the spanish artist in the world. etched into wasteland near verona in italy, mr gambarin said he'd been inspired by picasso's 1907 self—portrait.
in the factory over there. each one tells a story of our unique historic patterns, where to cut them and where to place them, and it acts as a bit of a guide for them. we've been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go right through to 1937, to the coronation that never was for king edward viii. and then, in more contemporary times, under the design stewardship of walter moorcroft, to 1953, with the coronation of queen elizabeth ii. we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make, from start to finish. it's an honour, every piece of moorcroft that i work with and with the people that we work with, it's an honour. but forthe king, i mean, that is an amazing achievement and something that i will remember
we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make from start to finish. it's an honour, every piece of moorcroft that i work with and the people we work with, it's an honour, but for the king, i mean, that is an amazing achievement and something i will remember for the rest of my life. that was a report by liz cooper. here in the uk, the archbishop of canterbury used his easter sermon to address the conflict in ukraine, and the tensions between israel and palestine. we do not lose heart but we pray and we work for ukraine and russia. for israel and palestine with the recent tragedies, especially. and for the other so often forgotten struggles of our world, knowing that because of the resurrection, peace, true peace, is no aimless daydream but a reality offered because christ was raised from the dead.