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On Eavan Boland s first anniversary, why hasn t her native city commemorated her?

  Fable has it that Guy de Maupassant lunched every day in the Eiffel Tower restaurant as it was the only place in Paris he did not have to see it. Irish writers have a similar fixation with place. Amongst others, Edna O’Brien and James Joyce breathed easier in less prescriptive climes than Catholic Ireland, but instead of extinguishing their view of it they sharpened it. Eavan Boland’s work was less concerned with visibility and more with what fell outside of it. Given that the margins of a national literature are often narrow, this was a complicated concern for a female writer in the 1960s, seeking to place the reality of her life within Irish literature. Not only was Irish poetry perceived as a male enterprise due to the publishing landscape, but the literary culture Boland entered when she was published in The Irish Times aged 20 was a male-dominated pub scene.

On Eavan Boland s first anniversary, we should ask ourselves how to recognise her life

On Eavan Boland s first anniversary, we should ask ourselves how to recognise her life
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As the Oscars Approach, An Arizona Author Talks Racism in Hollywood — and Beyond

When Silence Is Broken - Colm Tóibín on Eavan Boland s journey

Updated / Wednesday, 21 Apr 2021 16:50 Colm Tóibín introduces Boland: Journey of a Poet, a new online production from Druid Theatre exploring the life of poet Eavan Boland through her own poetry and autobiographical prose, edited by Tóibín and performed by actor Siobhán Cullen, and premiering online this Thursday, April 22nd. I knew Eavan Boland s voice from the radio. Her tone was both questioning and authoritative. Poetry mattered to her. It did not survive solely in a private realm, but had, she believed, an element that was public. Its responsibility lay in the large, uncharted space between the lyrical and the political. As a reviewer and a broadcaster, she sought to tease out how this fraught and shifting space could be transformed. As a poet, she set about interrogating what was private, making clear that any image in a poem reflects not only the self but the wider world. And the question of who speaks in a poem, or who is the subject of a poem, remains a political

UC Berkeley: What Crocodile Mummies Can Tell Us About Everyday Life In Ancient Egypt

UC Berkeley: What Crocodile Mummies Can Tell Us About Everyday Life In Ancient Egypt
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