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We re Getting These Murals All Wrong

The Arnautoff murals in San Francisco have been denounced as demeaning and triggering, and defended as an exposé of America’s racist past. Both sides miss the point.

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The Dolores Olmedo Museum will move out to

Seeking closeness with people, the collection will occupy a space in the ambitious project in the heart of Mexico City.

Mexico cityDistrito federalLa noriaPablo ohigginsSalvador novoFrida kahloHowards phillpsParque urbano aztlInmobiliariay constructoraMota engilAngelina beloffDolores olmedoDavid alfaro siqueirosEl paCarlos pellicerDiego rivera

The Radical History Of The Murals At George Washington High School

The Radical History Of The Murals At George Washington High School
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A Mexico City Tour of Architect Juan O Gorman s Design Legacy

A Mexico City Tour of Architect Juan O Gorman s Design Legacy Claudio Castro © Pablo Ortiz Monasterio Walking through the quiet cobbled streets of Mexico City’s San Ángel, a neighborhood surrounded by old ash trees and sprawling colonial style buildings, there’s one structure that doesn’t quite fit in. Two square houses, one painted in blue and another one in red, are connected by a narrow bridge and fenced in by tall cacti. Most recognize it as the former studio of Frida Kahlo and Diego Rivera or, as tapped-in travelers know it, a less-visited alternative to Kahlo’s Casa Azul. But too few are familiar with the architect and painter who designed it: a young artist, who was just 26 at the time, named Juan O’Gorman.

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