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From the archive: Frank Stella in 2015—on his Whitney retrospective

As a major exhibition opens at the Whitney Museum of American Art, the US artist reflects on how beauty is “a given” in art and how, after nearly 60 years, he is still pursuing “the problems of painting”

Michael aupingFrank stella harranAlfredo aldaiBruce glaserFrank stellaMoby dickGuggenheim collections at bilbao museumYork whitney museum of american artNew yorkWhitney museumAmerican artArt newspaperHigh lineIrregular polygonPolish villagePainterly abstraction

Frank Stella dies; artist of acclaim was born in Malden

Ever restless, Frank Stella dynamically shifted his work in both style and scale while defying categorical boundaries between painting and sculpture as he became one of America's most prolific artists of the past half century.

New yorkUnited statesWhitney museum of american artLos angeles countyMuseum of modern artRock tavernWorld trade centerLos angelesNew yorkerHarold rosenbergRoberta smithKaren wilkinBartletth hayes jrWilliam rubinHans hofmannJosef albers

Frank Stella, towering artist and master of reinvention, dies at 87

Frank Stella, towering artist and master of reinvention, dies at 87
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New yorkUnited statesWorld trade centerWhitney museum of american artLos angelesMuseum of modern artLos angeles countyNew yorkerMichael friedClaes oldenburgJasper johnJim dineClement greenbergRobert rauschenbergLemos wyseStephen greene

Review: In his rapturous MoMA retrospective, L A artist Ed Ruscha gives New York School art a witty blow

A multidisciplinary survey of 200 works reveals how Ruscha's alienation from organized religion proved to be useful for his deconstruction of art myths and shibboleths.

Los angelesUnited statesLos angeles county museum of artClement greenbergMarcel duchampJohn everett millaiJackson pollockJasper johnLos angeles timesChouinard art instituteYork schoolPlantin pressPoured from maple syrupDickensian americanLittle orphan annieWith four faces

Review: L A artist Ed Ruscha s rapturous MoMA retrospective

A multidisciplinary survey of 200 works reveals how Ruscha’s alienation from organized religion proved to be useful for his deconstruction of art myths and shibboleths.

United statesNew yorkLos angeles county museum of artMuseum of modern artMarcel duchampChristopher knight los angelesLos angelesJackson pollockClement greenbergPepto bismolChristophe cherixEd ruschaJasper johnJohn everett millaiAndy warholVenice biennale