Graham Clark obituary
Tenor who loved exploring dramatic possibilities in Wagner with imaginative directors at Bayreuth and Covent Garden
Source: theguardian.com
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Anselm Kiefer completes a trilogy of exhibitions at White Cube Bermondsey
In ‘Anselm Kiefer – Finnegans Wake’, the artist’s new paintings, sculptures and installations respond to (that is, struggle with a
Source: artdaily.com
Anselm Kiefer Finnegans Wake New Exhibition White Cube Bermondsey
In ‘Anselm Kiefer – Finnegans Wake’ the artist’s new paintings, sculptures and installations respond to transform James Joyce’s novel of 1939.
Source: artlyst.com
With a Sound Forged in War, Iannis Xenakis Embraced Chaos
The Greek-French composer, who was born 100 years ago, created a revolution in music.
Source: nytimes.com
First Person: Geoffrey Paterson on conducting the London Sinfonietta and working with Marius Neset
The conductor's 51st concert with a legendary ensemble takes place at the Proms tomorrow. First Person by Geoffrey Paterson
Source: theartsdesk.com
At This Summer's Aix Festival, the Only Laughter Is Bitter
With two grim premieres among the offerings, Monteverdi’s sharp “L’Incoronazione di Poppea” was the highlight of a week of opera.
Source: nytimes.com
Louth Contemporary Music Society's midsummer festival is back
Louth Contemporary Music Society is delighted and relieved to be back with its midsummer festival after a three-year gap. “Nothing has Changed. Everything...
Source: dundalkdemocrat.ie
World-renowned composers and soloists lined up for Louth Contemporary Musical Society festival
Louth Contemporary Music Society is delighted and relieved to be back with its midsummer festival after a three-year gap. “Nothing has Changed. Everything...
Source: dundalkdemocrat.ie
Alisa Weilerstein on finding a fresh approach to Beethoven's cello sonatas
For her new Beethoven cello sonatas album, Alisa Weilerstein has absorbed other interpretations before throwing it all away to find her own path
Source: gramophone.co.uk
Alisa Weilerstein interview: 'When Beethoven becomes vulnerable it's almost unbearable'
For her new Beethoven cello sonatas album, Alisa Weilerstein has characteristically absorbed other interpretations before throwing it all away to find her own path, finds Andrew Farach-Colton
Source: gramophone.co.uk