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January 16, 2024
San Diego New Verbal Workshop walks and sings the Great Hall's labyrinth and Peter Ablinger contemplates falling water drops
January 15, 2024
Do you find yourself with a bit of free time on your hands while in Hungary? Check out our exciting programme guide!
October 15, 2023
Latvia's Skaņu Mežs is full of wonders and undoubtedly worth diving in.
April 1, 2023
The journal was conceived as a way to share the work of the Gray Center’s fellows and the University of Chicago’s broader artistic and scholarly community with the rest of the city. This May the journal will launch its tenth issue on the subject of “Family.”
February 14, 2023
Women’s empowerment is the undercurrent of the winter season at New York City Ballet. Does it have a place in Americana?
January 8, 2023
When it was announced in December that choreographer Alexei Ratmansky would be parting ways from American Ballet Theatre as its artist-in-residence af
January 6, 2023
When the choreographer joins the company as artist in residence, the winners will be the dancers. And ballet.
September 16, 2022
A new rock music and pop culture website. Editorial independent music website offering news, reviews, features, interviews, videos and pictures
January 7, 2022
With Parallel Prints - the fourth release in the Editions Verde series Seeing the Forest in a Tree - artist and researcher Marcel Zaes explores one conceptual idea through 38 iterations realized by the prolific and idiosyncratic new music group Yarn/Wire.
April 12, 2021
Save this story for later. On the stage of an empty concert hall, the Austrian-born composer Peter Ablinger sits in a chair and begins to tell the time. “At the third stroke, it will be twenty o’clock precisely,” he says, adhering to the hallowed formula of the BBC’s Speaking Clock. He accompanies himself with a simple C-minor sequence on a keyboard. After continuing in this vein for twenty minutes, Ablinger cedes the floor to the young German actress Salome Manyak, who speaks over an a...