Philip Braham News Today

Show at The Scottish Gallery, Edinburgh, is also a tribute to the cultural philanthropist Hugo Burge, who died suddenly last year at the age of 51

Artist Martin Boyce reworks and references the textures and forms of the built environment to create sculptures that that often form poetic…

Artist Aid Ukraine Edition

Child and adolescent psychiatrist whose work with bereaved young people resulted in the book When Father Kills Mother

Perth’s museums and galleries reveal reopening date © Steve Brown / DCT Media Perth Museum and Art Gallery is set to reopen. Perth Museum and Art Gallery and The Fergusson Gallery will reopen on April 30 with new exhibits. The well-loved Perth City Hall will be the subject of a photographic exhibition at the museum and gallery, Generations – Making MyMuseum. Charting the varied cultural activities that have taken place in the building since it opened in 1910, subject matters range from rol...

Perth Museum and Art Gallery and Fergusson Gallery reopening update as facilities look forward to reopening Among the opening highlights will be an exhibition curated by volunteers working on the MyMuseum project, which will explore a timeline of cultural activities hosted at Perth City Hall since its opening in 1910, taking visitors on a visual journey from roller skate discos and teddy bears picnics, to Margaret Thatcher and wrestling matches Culture Perth and Kinross staff are preparing to o...

Philip Braham: On art and life in lockdown by Andrew Welsh © Supplied by Philip Braham Heavenly Turbulence, a painting by Philip Braham. For the past four decades Philip Braham has been examining the human condition through his depictions of the Scottish countryside. In recent years the Glasgow-born artist has achieved acclaim for a series of brooding landscapes that have reflected on our common mortality, with his latest body of work extending the theme to reflect emotions stirred while...

The Scottish Gallery, Edinburgh PHILIP BRAHAM’S new exhibition is prompted, he says, by reflections on suicide. In it, solitary trees stand out against poisonous skies, while stony paths wander into the centre of the composition and go nowhere. The whole enterprise recalls the gloomy romanticism of the 19th-century German painter Caspar David Friedrich, whom Braham cites as a major influence. Friedrich’s graveyards, ruined abbeys and visions of an icy wasteland fitted the bill when the Nazi...