anand what thehey're relyiyg on a are abstracactions. there's s a big difffference ben "r"row your boboat" and "r"row, row yourur boat". those are e different t thing. "p"players, ththey're gon'n' to" and "b"because thehe players e gogoing to plalay, play, p play" are cocompletely d different us of publilic domain m materia. this is s exactly ththe corere of creatitivity. intervieiewer 2: if f i record a song t today that t began "of coururse, the plplayers gog to p play, play,y, play, pla, and the hahaters goingng to hatete, hate, hahate, hate", woululd ms. swifift have a copyrighght claim agagainst m? peter ananderson: ifif you're talking g about idenentically cocopying a seseries ofof words, wewe would hahave a fightht with the e or side over r whether itit's sho- intervrviewer 2: w well-- soso tell-- yoyou just saia, "player, t they gon' t to pla, and hateters, they g gon' to h" are nonot long enonough phrass to g get copyrigight protectc. are your c client's phrases s long enougugh to g get copyrigight protectc? marina v v. bogorad:d: reall, if somebebody just t took the sasame chorus s that taylr swifift did in " "shake it o "
anand what thehey're relyiyg on a are abstracactions. there's s a big difffference ben "r"row your boboat" and "r"row, row yourur boat". those are e different t thing. "p"players, ththey're gon'n' to" and "b"because thehe players e gogoing to plalay, play, p play" are cocompletely d different us of publilic domain m materia. this is s exactly ththe corere of creatitivity. intervieiewer 2: if f i record a song t today that t began "of coururse, the plplayers gog to p play, play,y, play, pla, and the hahaters goingng to hatete, hate, hahate, hate", woululd ms. swifift have a copyrighght claim agagainst m? peter ananderson: ifif you're talking g about idenentically cocopying a seseries ofof words, wewe would hahave a fightht with the e or side over r whether itit's sho- intervrviewer 2: w well-- soso tell-- yoyou just saia, "player, t they gon' t to pla, and hateters, they g gon' to h" are nonot long enonough phrass to g get copyrigight protectc. are your c client's phrases s long enougugh to g get copyrigight protectc? marina v v. bogorad:d: reall, if somebebody just t took the sasame chorus s that taylr swifift did in " "shake it o " and used i it in theirir own chororus, i'm
it's somometimes whehen you u write somemething anand you get t goosebumpsps,u don't knowow if it's g going to number o one, but yoyou have a really g good feelining. yeah.. nate rogerers: in thisis case, e talklking about t a song thahas legititimately popopular. while it wasn't "shahake it off, it w was legitimimately somemeg that was i in the airwrwaves. dodometi pong:g: 3lw's sono, "plalayas gon' p play", only peakeked at 81 onon the bibillboard hohot 100. but t in my worlrld at the time, ththat was a b big reco. [clolock tickingng] sean h hall: when i first heard "s"shake it ofoff", i i was vibingng with the e s. i was s just in itit. anand then whehen the hookk starteted, my moututh kind of t dropopped open.. we knew something had to happep. we had to o take actioion some, at leaeast extend d an invitatn to t talk. we reaeached out a and didn't reallyly get a resesponse.
anand you get t goosebumpsps,u don't knowow if it's g going to number o one, but yoyou have a really g good feelining. yeah.. nate rogerers: in thisis case, e talklking about t a song thahas legititimately popopular. while it w wasn't "shahake it o, it w was legitimimately somemeg that was i in the airwrwaves. dodometi pong:g: 3lw's sono, "plalayas gon' p play", only peakeked at 81 onon the bibillboard hohot 100. but t in my worlrld at the time, ththat was a b big reco. [clolock tickingng] sean h hall: when n i first heard "s"shake it ofoff", i i was vibingng with the e s. i was s just in itit. anand then whehen the hookk starteted, my moututh kind of t dropopped open.. we knew sosomething hahad to ha. we had to o take actioion some, at leaeast extend d an invitatn to t talk. we reaeached out a and didn't reallyly get a resesponse.