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At a talk at Dia Chelsea in March, Hong Kong-born, New York-based filmmaker, artist, and writer Tiffany Sia aptly characterized her new book as a “montage on paper.” On and Off-Screen Imaginaries collates six essays—several of which had earlier versions published in Film Quarterly and October—penned in the wake of the 2019–2020 Anti-Extradition Law Amendment Bill protests in Hong Kong, the subsequent passage of the 2020 National Security Law geared toward quashing dissen...

Dia Art Foundation previews its upcoming lectures and talks, performances, poetry events, and learning programs.

Raven Row—an East London not-for-profit exhibition venue that claims an almost cult-like following—has resurrected the artist and unleashed her ghost across the three levels of the domestic-eighteenth-century townhouse-turned-exhibition-venue on Artillery Lane, just off the bustling Spitalfields Market. AYE! (short for “Are You Experienced” and titled after the 1992 video with the same name) seems almost like a game of truth or dare.

A bold red, orange, blue, and black abstract painting installation nearly as long as a tennis court, glazed red terracotta tiles, and a pale birchwood

With Dopplereffekt live and special guests.

If audiences are feeling Lankton fever, what does her teen notebook—its speedy, stimulated handwriting and skeletal illustrated women, its adoring

The a href= http://www.hillartfoundation.org target= _blank Hill Art Foundation /a welcoming The Sea, the Sky, a Window, a project by Sarah Crowne

Her dances and movies explore how everything is a performance if someone is watching.

Trinh T. Minh-ha's 'twofold commitment' to film leads to prismatic possibilities.

A new artist book, The Twofold Commitment by Trinh T. Minh-ha, takes as its point of departure Trinh’s lyrical film Forgetting Vietnam (2015). Commemorating the fortieth anniversary of the end of the Vietnam War, the film examines both public and private memory and the official and unofficial histories that emerge in the wake of traumatic events.