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November 15, 2022
On Tuesday’s Morning Focus, Alan was joined by Regina Nathan who is internationally renowned as one of Ireland’s leading Sopranos. Regina’s Musical Director, Robert Chevara, also joined the chat. The pair discussed Regina’s upcoming Evening of Song, which will take place tomorrow in Glรณr. Regina spoke about what her performance will consist of on the […]
October 7, 2022
Tennessee Williams' play is rarely performed, but now returns to London
October 5, 2022
Tennessee Williams’ script about a dying widow dictating her memoirs is dragged into the modern day as characters fidget with their phones on a sparse set
October 4, 2022
As someone who usually finds little pleasure in overloaded soundscapes that dominate a show, the relative lack of sound effects in this production is somewhat refreshing.
October 12, 2021
Vincent River is a play with just two characters, and their stories are told in just one act. So you will never have to take your eyes off of the middle-aged Anita and the young Davy as they figure each other out, pour more drinks, reveal staggering truths.
October 12, 2021
Vincent River is a play with just two characters, and their stories are told in just one act. So you will never have to take your eyes off of the middle-aged Anita and the young Davy as they figure each other out, pour more drinks, reveal staggering truths.
May 20, 2021
Last modified on Thu 20 May 2021 05.01 EDT Rikki Beadle-Blair was just 15 when he caught the attention of a film director. It was 1976 and the Bermondsey Lamp Post, the experimental, anarchic south-east London free school he attended, had financially collapsed and been shut down. With little to occupy him, he began writing and producing plays in the streets where he lived. Bugsy Malone had recently been released at the cinema, and Beadle-Blair thought it would be perfect for a big neighbourhood...