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Project MUSE - Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940

summary In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnsto...
Mary Manning Denis Johnston Christine Longford Robert Collis David Sears Hilton Edwards
Source: jhu.edu

'The limits of the imagination': The Gate Theatre then and now

  For lovers of the stage, the sight has been dismal. The past year brought unprecedented hardship to the world of theatre as Covid-19 forced playhouses to close and cancel one production after another, with dire consequences for all involved. It’s no surprise, however, that theatremakers have bounced back with wonderful ingenuity, creating socially-distanced productions and livestreaming events, even as financial strictures only increased. The Dublin Theatre Festival, for example, went t...
United States County South Dublin Irish Free State Christopher Fitz Simon Selina Cartmell Denis Johnston

Avant-Garde Nationalism at the Dublin Gate Theatre - Broadway Books Database

Avant-Garde Nationalism at the Dublin Gate Theatre by Ruud van den Beuken In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productio...
Mary Manning Denis Johnston Christine Longford Robert Collis David Sears Hilton Edwards

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