The spy who loved composing
Spooks meets Blackadder: concertplay I, Spie about composer/lutenist John Dowland and his grisly dealings with the Elizabethan Secret Service comes to Glasgow
Source: glasgowworld.com
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Free rides at the Erie County Fair
Free rides and concert on Day 11 of the Erie County Fair
Source: wgrz.com
Immortal Homosexual Poets: Michael Finnissy's Hammerklavier
COMPOSER MICHAEL FINNISSY’S CAREER has been a lifelong rejection of the divisions drawn up in and around the world of classical music. Growing up in London in the 1960s, Finnissy did not pursue academic training in composition until the age of eighteen, and was influenced as much by Hockney, Rauschenberg, Ginsberg, Genet, and Godard as by the wide range of music that he absorbed from public libraries, from family and friends, and from the radio. In the years since, his large body of compositi...
Source: artforum.com
First Person: Clare Norburn on how she came to write her ambitious Zoom-era drama, 'Love in the Lockdown'
Home > theatre > First Person: Clare Norburn on how she came to write her ambitious Zoom-era drama, Love in the Lockdown First Person: Clare Norburn on how she came to write her ambitious Zoom-era drama, Love in the Lockdown | reviews, news & interviews First Person: Clare Norburn on how she came to write her ambitious Zoom-era drama, Love in the Lockdown First Person: Clare Norburn on how she came to write her ambitious Zoom-era drama, Love in the Lockdown Writer-producer Clare Norb...
Source: theartsdesk.com