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June 13, 2024
R-S Central High School’s Career and Technical Education (CTE) program made waves with its Forever Home project, constructed entirely by its dedicated students.
April 12, 2024
Bringing together Shakespeare's two great history plays, Player Kings is now open at the Noël Coward Theatre. Ian McKellen plays Falstaff in a new version of Shakespeare’s Henry IV, adapted by the award-winning writer and director Robert Icke. A divided country, leadership crumbling, corruption in the air.
April 3, 2024
The Emmy, Golden Globe and Olivier award-winning actor Brian Cox, has made his return to the London stage in Jeremy Herrin’s new production of Long Day’s Journey Into Night.
February 29, 2024
Musician Richard Hawley reflects on the "Incredible journey" of musical Standing at the Sky's Edge.
February 22, 2024
Hadestown, the acclaimed Broadway musical phenomenon by singer-songwriter Anais Mitchell and director Rachel Chavkin has made its long-awaited West End premiere at the Lyric Theatre.
February 21, 2024
Making his West End debut, celebrated director Thomas Ostermeier‘s iconoclastic production of An Enemy of the People plays at the Duke of York’s Theatre is now playing for a strictly limited run.
February 16, 2024
Kip Williams' adaptation of Oscar Wilde's The Picture of Dorian Gray has now opened in London's West End, running until 11 May. This ground-breaking production delivers an explosive interplay of live performance and video in an astonishing collision of form. So what did the critics think?
February 9, 2024
Jez Butterworth’s new play, The Hills of California, just celebrated opening night and we've got the consensus from the critics!
January 29, 2024
Neil Simon’s three-act play about couples in crisis, Plaza Suite, has now opened at London's Savoy Theatre, already extended until 13 April. Celebrity couple Sarah Jessica Parker and Matthew Broderick reprise their roles from the Broadway production. Excitement (and tickets prices) are high, so, what did the critics think?
January 29, 2024
The actress was praised as a "revelation", but some critics were less keen on her play as a whole.