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The EVO 16 targets newcomers to recording, but offers some surprisingly professional features.

Is the most affordable version of Avid’s DAW still a serious music production tool?

Vince Gilligan and Peter Gould’s unique vision of Albuquerque required a unique approach to the score...

With its innovative modular approach to sound engines, this powerful stage keyboard should suit the needs of most performers!

These powerful self‑contained instruments blend analogue and digital sound generation to devastating effect!

I’m seeing a lot of conflicting advice about using compression while recording. Some swear by it while others say it’s completely unnecessary with 24‑bit recording and modern converters. Where do you stand on this?

Engineer Shuta Shinoda faces the SOS nine-question treatment...

Do the automation features in DAW software make old‑school console automation redundant? We canvass opinions from big‑name mix engineers.

For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.

Film composer, theatre composer, TV composer, ballet composer... Why be one when you can be them all?