Stephen Surlin News Today

By focusing on the slower, more structured rounds of boxing over the fast-paced hustle of a card sharp, M’Carthy’s production invites us to watch the hands when we really should be watching the eyes. It’s a thoughtful idea that doesn’t fully pay off in dividends of energy and connection to the audience, leading Canadian Stage’s season-opener to be a good production of a great play.

This major work showcasing two Toronto actors shouldn’t be missed

This June, creator/performer Sébastien Heins invites Toronto to a joyous, high-octane, deeply personal adventure story, all experienced at the touch of a button. Video games, theatre and memoir collide as Heins places the control(er) in the hands of the audience, entrusting them to pilot his performance using state-of-the-art motion capture and haptic technology.