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Molly Warnock on the decisive role of Mark Rothko's early watercolors

“ROTHKO IS A WATERCOLORIST.” The typewritten note in Clyfford Still’s unpublished diary, undated but recorded no earlier than 1961, appears as if graven into a largely blank page.1 It is clearly meant as a condemnation: Still had long come to despise his former close friend. No explanation follows, and the painter doubtless believed none was necessary. What other epithet, after all, could more concisely telegraph all that separated them—Still, with his vigorous, knife-sculpted impasto an...
University Of Chicago United States New York National Gallery Of Art District Of Columbia San Francisco

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Christopher Rothko with Phong H. Bui

As I think of the successes and failures of artists’ legacies, I’ve learned different stories tell different life’s circumstances, depending on luck and persistent efforts on the behalf of those who are dedicating their lives to perpetually keeping the artists’ works alive and contextually relevant in the former, while in the latter what requires of the artists’ caretakers, be it members of their families, friends or colleagues there my lack of clarity of intentions or s...
North Dakota United States Comunidad Autonoma De Cataluna Daugavpils Novads New York Art Students League

Mark Rothko

“During World War II, it became nonsensical to get involved in painting men playing violins, or cellos, or flowers,”1 reflected Barnett Newman, as he rationalised the value of the (then) unappreciated abstract movement. Today, as we witness the escalation of regional conflicts in Africa, Eastern Europe or the Middle East, Newmans words resonate with renewed significance. In an era teetering on the brink of global conflict, abstract art emerges as a more fitting artistic expression refl...
France General United States El Salvador New York Barnett Newman Tikkun Olam

The Campaign to Remove a Shocking Painting from the French National Assembly

A report by Lauren Collins for The New Yorker. Our thanks to Peter Jordens for bringing this item to our attention. The first time the French filmmaker and scholar Mame-Fatou Niang encountered “L’histoire en Peinture de l’Assemblée Nationale,” a large painting hanging in the National Assembly in Paris, she was “prise aux tripes”—grabbed by the guts. It…
New York United States Republic Of French Guiana Palais Bourbon Îe De France

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