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describe the film is a psychological horror, is that how you see it?— psychological horror, is that how you see it? yeah, i guess b the how you see it? yeah, i guess by the nature _ how you see it? yeah, i guess by the nature of _ how you see it? yeah, i guess by the nature of the _ how you see it? yeah, i guess by the nature of the story i how you see it? yeah, i guess by the nature of the story and | by the nature of the story and starts as one thing and slowly morphs into a psychological horror. eloise's trips back into the 605 are initially very glamorous and alluring and then they take a turn. last glamorous and alluring and then they take a turn.— they take a turn. last night in soho is a _ they take a turn. last night in soho is a film _ they take a turn. last night in soho is a film that _ they take a turn. last night in soho is a film that really i soho is a film that really references the 1960s, especially its music and cinema. it especially its music and cinema-— especially its music and cinema. . , ., ., especially its music and cinema. ., ., all cinema. it is a celebration of all that was _ cinema. it is a celebration of all that was wonderful i cinema. it is a celebration of all that was wonderful about | all that was wonderful about british film in the 60s, hammer house and peeping tom, the press burglar, all of that, all of those elements are there, and yeah. of those elements are there, and yeah-— and yeah. the works of the 19605 and yeah. the works of the 1960s classic _ and yeah. the works of the 1960s classic pop - and yeah. the works of the 1960s classic pop female i 19605 classic pop female vocalists like petula clark are omnipresent throughout edgar wright's movie. i omnipresent throughout edgar wright's movie.— wright's movie. i feel like those songs _ wright's movie. i feel like those songs by _ wright's movie. i feel like those songs by the - wright's movie. i feel like | those songs by the female singer of the time, they are
Breaking-newjames-bond-filmStoryThingPeopleHorrorNatureStartsTripsDeloiseOneSohoCinemai watched nostalgically. i don't think watching is a political statement. and if so, i'm team jackie. hey, everything old is new again. i mean, you know, u2 was out doing the joshua tree on concert. i loved seeing steely dan create asia. i get that some of it is nostalgia. but that is not a complete explanation. i want to remind you to answer the survey question at roseanne's ratings success is more at contributri attributabl politics or nostalgia? coming up next, president trump going to war against amazon. is he wright and is he hurting his call by politicizing this? i'll talk to the former ceo of toys "r" us. m, so people watching will be like, "wow, maybe i'll glow too if i book direct at choicehotels.com." who glows?
StatementTeamEverything-oldU2NostalgicallyJoshua-tree-on-concertContributri-attributablSurvey-questionExplanationSteely-danCreate-asiaPresident-trumpis it true? i don't know. there's a true sense of fear. >> none of that is known when without warning guerrero attacks officer roman salazar. he will later say he feels disrespected by the officer. >> you see guerrero lunge forward, start to strike immediately. officer salazar in the face, knocks him to the ground, and continues in the attack and starts to punch him further striking him in the face, breaks his nose, cuts his face. >> guerrero pummels salazar with a closed fist and kicks him in the gut. >> officer salazar clearly had no clue or understanding that he was about to be brutally attacked. >> while he wright on the floor, help rushes in. >> when the first officer responded, guerrero also struck mortonson in the forehead and knocked him backwards. >> meanwhile, officer salazar staggers away to get medical help. >> there was quite a bit of blood on the floor that mr. salazar had lost that day. >> he suffered a broken nose,
OfficerFearSenseI-dont-knowWarning-guerrero-attacksNoneSalazarGuerrero-lunge-forwardRomanAlejandro-guerreroAttackGround