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"I've always loved Fenders. I'm almost working against a design that has been around since the '50s – I don't know if it's going to cooperate with me": Pissed Jeans' Bradley Fry on why he loves awkward offsets and solid-state Peavey amps

The Pennsylvania punks play so loud, Fry gets his sound engineer to mic a tiny Peavey combo instead, so he can keep his onstage amps raging
United States Jim Campilongo Matt Korvette Martin Stinger Mark Cale Ampeg Reverberocket

"I was playing the Breeders' Divine Hammer, and my whole hand cramped up, I couldn't move it... It seemed so simple, but it was something I would never play": J Mascis went electric for his new solo album, but (mostly) without his usual Jazzmaster

The Dinosaur Jr. frontman and alt-rock guitar hero will always be associated with Jazzmasters and Marshall stacks, but for his new solo album, What Do We Do Now, Strats, Teles, Vox amps, and even Flyi
New York United States Neil Young Ken Maiuri Peter Frampton Sherman Filterbank

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"The heart of the Skronk remains true, the upgrades just help keep the blood pumping more efficiently": Blammo Electronics updates the mid-'60s Zonk Machine fuzz for modern usability with the Skronk Machine

The pedal maker promises that the Zonks tonal character remains the same, although it has added a passive control dial, and made it a far more pedalboard-friendly unit overall
United Kingdom John Hornby Skewes James Bond Vic Flick Keith Richards Dan Adamson

"Before BOSS, there just wasn't a wide enough selection of pedals. They kicked it into high gear, eclipsed everything else…" How one innovative company changed the soundscape of modern music in five decades

The inside story of how BOSS revolutionized effects. The milestones that led the Japanese firm to the cutting edge of the modern music scene
United Kingdom United States City Of Billie Joe Armstrong Ikutaro Kakehashi Daniel Steinhardt

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