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March 25, 2024
a href= https://www.davidzwirner.com target= _blank David Zwirner /a is presenting The Point Is Matter, a solo exhibition of new and recent work b
February 11, 2024
Love it or hate it, there are a slew of ways to celebrate Valentine's week (or not), from cabaret to special prix fixe dinners to an anti-Valentine's comedy show and an '80s power ballad sing-along.But it's not all about love and heartbreak) this week. It's also Mardi Gras, the last days of SF Beer ...
January 10, 2024
a href= http://www.sfmoma.org target= _blank The San Francisco Museum of Modern Art /a opened Wolfgang Tillmans: To look without fear, the most co
December 18, 2023
The German photographers massive retrospective, “To Look Without Fear,” on view at SFMOMA spans 35 years of the artist’s career.
December 1, 2023
On view from November 11, 2023 – March 3, 2024
September 21, 2023
Claire Bishop on the superabundance of research-based art
May 10, 2023
a href= https://www.scotiabankcontactphoto.com/2023/ target= _blank Scotiabank CONTACT Photography Festival /a opened the 27th edition of the annu
April 1, 2023
POSTCARDS, FAXES, AND EMAIL PRINTOUTS lie wanly in a vitrine. A plywood shelving unit holds rows of informational leaflets. One gallery wall is plastered with graphs and charts. Another is covered in hundreds of seemingly identical photographs. On a bank of video monitors, talking heads are explaining something. In a darkened corner, a slide projector clunks slowly through a carousel of images. Nearby, a 16-mm film whirs alongside a soporific voice-over. An illuminated table is covered in papers...
December 18, 2022
a href= http://www.scotiabankcontactphoto.com target= _blank Scotiabank CONTACT Photography Festival /a has announced highlights of the 27th editi
October 1, 2022
WOLFGANG TILLMANS HAS CREATED an image of contemporary Europe that a lot of people carry around in their heads. Not the Colosseum or the Arc de Triomphe or even the Eiffel Tower, but easyJet, English, Berghain. These keywords are both the technologies and the coordinates of Tillmans’s practice, the atmosphere and infrastructure that support his work, though they are not necessarily visible in his pictures. And yet he has created images—indeed, icons—that are somehow correlates for them, th...