Page 71 - Visual Effects News Today

Disney+ series wins six awards, including Best Creative, Best Writer and Best Actor, while Best OTT Original was awarded to Weak Hero Class 1

Disney+ superhero series Moving was the big winner at Busan Film Festival’s Asia Contents Awards & Global OTT Awards, scooping six prizes, including Best Creative and Best Writer for Kang Full. The series also took Best Lead Actor for Ryu Seung Ryong, who portrays a father with a superpower attempting to save his family, Best …

Christopher Nolan managed to recreate the Trinity Test without using CGI. But realism can come at a cost to the environment.

The VFX veteran gets the nod as her ongoing leadership has bolstered company’s growth in innovation and ground-breaking visual effects, including its hugely successful, critically acclaimed animated feature ‘Spider-Man: Across the Spider-Verse.’

Take a deep dive into Stede and Blackbeard’s big underwater reunion, featuring Kate Bush and buckets of glitter.

Science Hill alum Rodolphe Pierre-Louis, made a special visit to the school’s Audio/Visual Production class on Monday morning and announced that his company, ActionVFX, will be launching a free new

What does Star Trek: Discovery do to push the boundaries of futuristic technology while taking us on an interstellar journey like no other?We'll go over the fascinating world of Star Trek: Discovery's advanced technology in a few words. We'll discover the secrets that make this series stand out in the Star Trek universe, ranging from

The 6-time Emmy nominated entry in the ‘Predator’ franchise has arrived on 4K UHD, Blur-ray and DVD, with over 2 hours of bonus content, including deleted scenes with commentary by director Dan Trachtenberg; film’s VFX handled by MPC.

The award-winning visual effects studio delivered 550+ shots, using its trademark mix of artistry and innovation, creating a breathtaking underwater kingdom – harnessing its ‘Fibre’ groom tool, the project team ensured Ariel and the kingdom’s other inhabitants all had ‘great hair days;’ check out their magical reel.

The visual effects studios recreated 1960s New York City, complete with city street and subway chases – and digital horse - and an ancient undersea trireme shipwreck dive that included digital doubles, digital creatures, and dry-for-wet effects, respectively, on James Mangold and Lucasfilm’s final ‘Indiana Jones’ cinematic franchise adventure.