Page 72 - Visual Effects News Today

With his innovative and compelling sci-fi action adventure now wowing cinema audiences, the director discusses his radical new approach to filmmaking and VFX in the just released featurette, ‘Advancing AI: Creating The Creator;’ Edwards’ film was made possible by recent technological advances and a collaboration with James Knight, AMD’s Global Director of Media & Entertainment

Some of the notable works of Digikore Studios include Thor: Love and Thunder, Black Panther: Wakanda Forever, Glass Onion: A Knives Out Mystery, Deadpool, Star Trek, Jumanji, etc

Gareth Edwards’ “The Creator” was a resourceful sci-fi endeavor with an $80 million production budget, but its visuals are on par with epic blockbusters that cost three times that amount. Rather than shoot on a studio backlot, the filmmaker behind “Godzilla” and “Rogue One: A Star Wars Story” opted to shoot in eight different countries, …

The studio contributed 259 shots across multiple sequences, including breathing life into iconic characters Sebastian, Flounder, and Scuttle – staying faithful to their original characters while integrating actual animal behavior.

Director Alfonso Cuarón reveals the two major reasons why he couldn't shoot 2013's Gravity with Sandra Bullock and George Clooney in space.

See how the leading visual effects studio delivered 896 shots on Paramount Pictures’ newest entry in the ‘Transformers’ universe, including creating multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994.

NextGen Highlights Employability Prospects Of The Sector

The studio delivers 235 shots for the fifth installment in the ‘Indiana Jones’ franchise, including a frantic tuk-tuk chase sequence through the streets of Tangiers, Morocco.

Cuts to the Made in NSW program and PDV rebate have been reversed by the NSW Government.

Gareth Edwards’ world-building, design and sense of scale offer jaw-dropping visuals in a film that though it retraces old ideas, is made for the big screen.