Voice Note Recording News Today

Cultural life, the radio four podcast, she reveals her formative influences and experiences, and how her passion for playing was there from the start. I knew very young there was no question i wanted to play the violin. There was no question that that was what i must do and had to do and wanted to do. Have you played here much, nicky . They chuckle nicola benedetti, welcome to this cultural life. Thank you so much for having me. Its an absolute pleasure. You were born and brought up in north ayr...

But its the truth both of your parents were born in italy, werent they . Yes. Was it an italian household culturally growing up . Its a good question. I would say both parents assimilated very concretely and quite deliberately with scottishness and scottish culture, but they also came over very young. My mum was three years old. An italian speaking three year old with an italian mother and scottish father. Um. Came over to scotland and, er. Was sort of banned from speaking italian quite quickly....

You know, him sending me — he does everything by hand, so a handwritten three bar, you know, scribble, like, "could this go instead "of this, or could this instead of this? "can you try this?" i would do a voice note recording, send it back to him so that he could hear was the effect was like. and a significant amount of your musical time is spent in musical education and taking the community benefits of music to those from less—privileged backgrounds — as wynton marsalis has done, as well...

This instead of this? "can you try this?" i would do a voice note recording, send it back to him so that he could hear was the effect was like. and a significant amount of your musical time is spent in musical education and taking the community benefits of music to those from less—privileged backgrounds — as wynton marsalis has done, as well. was he an influence in that aspect of your career, do you think? well, its interesting because i actually started doing things like that before meeting...

So much of your repertoire is written by people from distant past. what is the difference when you�*re working with the living composer? the difference is you can ask a question! you can say — you can say, "what did you mean "by this and can i please change it? but i would say the experience with wynton was very unique. like, it was a very personal interaction and a very sort of continuous back—and—forth from both of us in corners of the earth writing, you know, him sending me — he doe...

So a handwritten three bar, you know, scribble, like, "could this go instead "of this, or could this instead of this? "can you try this?" i would do a voice note recording, send it back to him so that he could hear was the effect was like. and a significant amount of your musical time is spent in musical education and taking the community benefits of music to those from less—privileged backgrounds — as wynton marsalis has done, as well. was he an influence in that aspect of your career, do y...