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Cultural Researchers Come to Resident Artist Program in Silver City, Nevada

The April 2017 and summer 2017 guests of the Resident Artist Program in Silver City will be Sue Mark and Bruce Douglas of Marksearch.

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What Works: Sorry not sorry

Sorry – It’s such a common word. It’s intention and meaning vary from person to person. It could be nothing more than pre-conditioned response or a heartfelt, sincere understanding of wrongdoing. Regardless of what goes wrong, even in business and customer relationships, the first inclination is to say sorry.

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Nevada landscapes of Dawn Dot Star in free exhibition at Legislative Building through May 15

The exhibition “White Pine County Artistry,” with landscape paintings of Dawn Dot Star debuts at the Nevada Arts Council’s LXS Gallery at the Nevada State Legislative Building in Carson City on April 27. The artist specializes in watercolor and pencil depictions of rural Nevada.

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Natya Vriksha celebrates World Dance Day | Delhi News

Natya Vriksha celebrated World Dance Day curated by Dancer Geeta Chandran at the India International Centre, New Delhi. The event featured diverse programs curated by Geeta Chandran, workshops, seminars, and discussions celebrating Indian classical dance.

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Autumn Harvest Festival

Workshops ~ Mini-Farmer's Market with a variety of Local Vendors ~ Live music with HICK’RY SWITCH, ~ Activities include ~ face painting ~ stuffing a scarecrow - Go to our websites for more details and updates! www.fullcirclecompost.com www.hungrymotherorganics.com Email for reservation for workshops space is limited.

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that we often operate that we will need a thriving paradigm. >> and i just held my action network convention two weeks ago where we would have people from all sides of this discussing this in several workshops, even though we're not a part of that. we were fortunate enough to also have epa administrator michael reagan join us. now i mention that because i've watched our younger activists take charge of this issue and demand that legacy civil rights organizations do the same. where we've got to be careful to not put in young voices and older voices that will see some of what is customarily at these conventions, not dealing with the climate change affect and the impact of the environmental concerns. and where does the climate fight fit into the future of civil rights movements? i'm out of time, but i wanted to give you the chance to close us with that. >> i think it goes hand in

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the idea — to put the digital revolution to one side and generate respect for the art of film—making with supervised instruction. we teach a number of workshops, we're a learning lab, so we teach super eight, 16 and 35 motion picture film—making. those who run micro—cinemas view them as a permanent feature of the landscape, a way of seeing films which will prevail and develop. micro—cinemas will continue to evolve because cinema itself is always evolving. at the same time, part of the allure of micro—cinemas and cinemas in general is that they address a very fundamental need for people to come together, to partake in a kind of public ritual in a shared space. that desire to see movies together is perhaps more than anything else what sustains micro—cinemas. despite the convenience of streaming, gathering together in the dark, even in small numbers, to watch in general is that they address

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and when we opened, which was right after the pandemic, it was also just a really challenging time, that most documentary films were not being bought and we're one of the few cinemas in new york that can screen films that don't have distributors. also part of this universe that includes microcinemas is an endeavour called mono no aware. in addition to screenings, it gives people the opportunity to literally handle film and make movies. the idea — to put the digital revolution to one side and generate respect for the art of film—making with supervised instruction. we teach a number of workshops, we're a learning lab, so we teach super eight, 16 and 35 motion picture film—making. those who run microcinemas view them as a permanent feature of the landscape, a way of seeing films which will prevail and develop. microcinemas will continue to evolve because cinema itself is always evolving.

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gives people the opportunity to handle film and make movies. the idea to put the digital revolution to one side and generate respect for the art of filmmaking with supervised instruction. brute filmmaking with supervised instruction.— filmmaking with supervised instruction. ~ ., , instruction. we teach a number of workshops — instruction. we teach a number of workshops we _ instruction. we teach a number of workshops we are _ instruction. we teach a number of workshops we are a - instruction. we teach a number of workshops we are a learning | of workshops we are a learning lab we teach super 815 and 35 filmmaking. lab we teach super 815 and 35 filmmaking-— filmmaking. those who run microcinemas _ filmmaking. those who run microcinemas regard - filmmaking. those who run microcinemas regard them | filmmaking. those who run i microcinemas regard them as filmmaking. those who run - microcinemas regard them as a permanent feature of the landscape a way of seeing films which will prevail and develop. microcinemas will continue to evolve because cinemas always evolving, part of the allure of microcinemas and cinemas in general they address a brief fundamental need for people to come together to partake in a kind of public ritual and a shared space.— kind of public ritual and a shared space. that desire to see movies _ shared space. that desire to see movies together - shared space. that desire to see movies together is - shared space. that desire to i see movies together is perhaps more than anything else what sustains microcinemas. despite the convenience of streaming gathering together in the dark evenin gathering together in the dark

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