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georges sets out to feed this growing obsession. there are echoes of the gruesome belgian black comedy man bites dog in georges�*s increasingly insane film—making and ventures, along with shades of the killer dress riffs from tobe hooper�*s i'm dangerous tonight, or more recently, peter strickland's in fabric. but the tone of dupieux's film is altogether more goofy, even as killer style turns to killer instinct and mockumentary slips into snuff movie territory. indeed, what's remarkable isjust how upbeat things remain, leaving us laughing at, or perhaps even with georges, as he enters the mouth of madness. it's a credit to haenel that she manages to play her role with such a straight bat, providing the perfect foil for dujardin�*s madness. as long as she's invested in his twisted endeavours, then we have a reason to keep watching — a point of entry into this increasingly absurdist but weirdly entertaining oddity. deerskin is in cinemas now.