My current role as media coordinator at the State Bar of Wisconsin involves live production of Continuing Legal Education seminars for lawyers. Our job—as a two-person media department—is to make our speakers and presenters look good. Between us, we operate a NewTek TriCaster, audio mixing, projection, and multiple cameras. This article will discuss how and why we transitioned from Panasonic CX350s and SDI to an all-PTZ camera NDI workflow.