Each painting for Terrain takes Marshall about 20 minutes to complete, many of which she did from the passenger seat of a car while using photos taken at the various sites on her iPhone. Marshall said the exhibit is about societal obsession with virtual images. Her intention was to translate a virtual arrangement to the material physicality of painting. “It’s not a controversial exhibit but it does say a few things. I think it talks about our obsessiveness with virtual images, how we take photos for granted these days,” Marshall said. “A thousand virtual little photos translated to paintings is a lot of material.”