Andrew Khedoori remembers when he first fell under the spell of a longform composition. As a volunteer at a Sydney-based community radio station in the late 1990s, he came across a three-CD set of Eliane Radigue’s Trilogie de la Mort in a pile of discs to be discarded. Intrigued by the cover, he took it home and found himself engrossed in its shape-shifting dronescapes, each one roughly an hour long. “I was aware that I needed to give myself over to it,” he recalls. “That’s what Longform Editions is about—giving yourself that space and time to absorb something and get out of it what you can.”