Self-regulation code for OTT channels must be given a chance to work to foster creativity India’s Internet-based Over-The-Top (OTT) streaming services have operationalised a code of self-regulation from February 10, soon after the I&B Ministry announced that it had prepared a set of guidelines and directives for the industry. The inexorable growth of OTT channels has infused creative talent into film-making, aided by the absence of overbearing censors and vested interests, although it might be argued that it also has a small minority pursuing crass commercialism. COVID-19 buoyed subscription revenues from home-bound viewers for OTT ventures streaming films, reality shows, serials and documentaries, and with cinemas closed, even broke the industry taboo against online-first film releases. Yet, the urgency of this code arises not from any challenge to law and order or morality posed by films, but the gauntlet of police and court cases that film-makers and the channels are now having to run. Governments are also lending tacit support to the view that creative expression may be becoming too influential to be left free. The FIRs in U.P. against the Amazon Prime Video series,