fed in some information, some keyboards, some imagery of keyboards, some imagery of keyboards, it came back with a zebra. that is my kind of surrealist game. of course, stripes, it makes perfect sense. fora stripes, it makes perfect sense. for a bass guitar it came back with a fish, but actually if you think about it, i suppose, it had been through its dictionary, seabass. ihmd its dictionary, seabass. and then there _ its dictionary, seabass. and then there were _ its dictionary, seabass. and then there were the - its dictionary, seabass. and then there were the band's faces, created by broken down data on their images being totally rebuilt by huxley. it made the images of us, we did it without iphones, just literally lip syncing so that could see and learn the dimensions of ourfaces could see and learn the dimensions of our faces and what all the measurements were as ourjaws moved, and it looked at him, and made its versions of us.— versions of us. but a music video also _ versions of us. but a music video also needs _ versions of us. but a music video also needs to - versions of us. but a music video also needs to tell - versions of us. but a music| video also needs to tell the story with feeling. it video also needs to tell the story with feeling.- story with feeling. it is not 'ust story with feeling. it is not just "here _ story with feeling. it is not just "here is— story with feeling. it is not just "here is a _